From processing rushes to color grading, PLAY | LAB is there to process your files, encode them, transcode them, duplicate them. Image oriented, our experience allows us to respond with limited budgets to the specific constraints of documentary films. We can meet any request for calibration of short, medium or feature films with adapted deadlines and rates.
Video transfers and conversions in all formats and codecs
We can process your files to convert them to the format you have been asked for. Creating a ready to broadcast master that will have been checked and corrected to comply with the various broadcaster standards.
We can transmit PAD files directly to the broadcasters' servers using our ASPERA, SIGNIANT, FTP connections…
PAL, SECAM, NTSC
23.98, 24, 25, 29.97, 30, 48, 50, 60 FPS
SD, HD, 2K, 4K, 8K...
Interlaced or progressive
1.33, 1.66, 1.77, 1.85, 2.39...
ProRes 422HQ, DNxHR, XDCAM, H.264, H.265...
DCP creation
Anything, really.
23.98, 24, 25, 29.97, 30, 48, 50, 60 FPS
SD, HD, 2K, 4K, 8K...
Interlaced or progressive
1.33, 1.66, 1.77, 1.85, 2.39...
ProRes 422HQ, DNxHR, XDCAM, H.264, H.265...
DCP creation
Anything, really.
And more...
Color grading
Bring the production in line with the broadcaster's color space. Overcome defects that occurred during filming with cameras that are not always adapted to a broadcast image quality level. Make colorimetric changes to best meet the requirements of directors and directors of photography.
French and English subtitle management.
If you need subtitles for your film, we can manage it from transcription, translation, adaptation, simulation to delivery of a .srt file. The .srt files can then be integrated into your video in dynamic or 'burned'.
Multilingual and audio synchronization
HDcam and BETAcam digitization
Metadata management
...
They chose us
