My services
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Color grading
Bring the production in line with the broadcaster's color space. Overcome defects that occurred during filming with cameras that are not always adapted to a broadcast image quality level. Make colorimetric changes to best meet the requirements of directors and directors of photography.
DCP creation
From Quicktime, DNX, Prores, H264/H265 files, image sequences (DPX, TIFF, TGA)… from SD, HD, 2K and 4K sources at 23.98, 24 and 25 images/second.
French and English subtitle management.
If you need subtitles for your film, we can manage it from transcription, translation, adaptation, simulation to delivery of a .srt file. The .srt files can then be integrated into your DCP in dynamic or 'burned'.
Ready To Broadcast
Creating a master that will have been checked and corrected to comply with the various broadcaster standards. We can transmit PAD files directly to the broadcasters' servers using our ASPERA, SIGNIANT, FTP connections…
Video transfers and conversions in all formats
We can process your files to convert them to the format you have been asked for.
PAL, SECAM, NTSC… 23.98, 24, 25, 29.97, 30, 48, 50, 60 fps
SD, HD, 2K, 4K, ...,8K
525i, 625i, 720p, 1080p, 1080 50i, 1080 60i 4/3, 14/9, 16/9
1.33, 1.66, 1.77, 1.85, 2.39
Codecs
QuickTime, MXF, AVI, MPEG-1, MPEG-2, MPEG-4, H.264, H.265, HEVC, FLV, WMV, DivX, Xvid, MKV, RealVideo, 3GPP, AIFF, WAV, AAC, MP3, FLAC, AMR, WMA, OGG, Sorenson, ProRes 4444, ProRes 422HQ, DNxHR, XDCAM, DV, IMX…
Anything, really.
Restoration
Whether you are a publisher, distributor or director, we can meet any restoration request. We will put all our know-how to erase the ravages of time. SD to HD, cleaning, noise removal, grain removal, partial reconstruction, color-grading.
Each restoration is a challenge that we will be able to meet.